At the Metropolitan Opera House, Wayne McGregor directs a three-part work inspired by Virginia Woolf’s writing and scored by Max Richter.
Read Also
- German court convicts a prominent far-right politician for using a Nazi slogan for the second time and imposes a fine
- Basic Materials Roundup: Market Talk
- Biden does post-debate damage control, and Simone Biles heads to her 3rd Olympics
- France's far-right vote in figures
- What to expect as Taliban joins third UN-held talks on Afghanistan in Qatar
- Auto & Transport Roundup: Market Talk
- Angered by Georgia’s ‘foreign agent’ law, Gen X protesters try new tactic
- Taylor Swift clothes to be displayed at free V&A show this summer
- French far-right leader Marine Le Pen swarmed by supporters after lead in first round of election
- Meta breaches digital rules by charging users for ad-free social networks, EU claims
Latest The Wall Street Journal
- Basic Materials Roundup: Market Talk
- Auto & Transport Roundup: Market Talk
- Energy & Utilities Roundup: Market Talk
- Who Are All These 20-Somethings Buying a Kindle?
- After a Tournament, Coco Gauff Wants to Eat a Burger and Stay Up Late
- Financial Services Roundup: Market Talk
- Today's Logistics Report: Lumbering Supply Chain Signals; Amazon's AI-Focused Facilities Pivot
- Chewy Shares Soar After 'Roaring Kitty' Discloses 6.6% Stake
- Gaza Militants Regroup and Rearm, Raising Threat of a Long War
- Why Cheap Toilet Paper Sets Off Alarm Bells Among Some Investors