Will Tracy tells IndieWire about creating an absurd dictator for Kate Winslet and what happens when heightened reality meets heightened emotions.
Read Also
- Jerry Seinfeld Turned Down An Absurd Amount Of Money For Seinfeld Season 10
- Strictly star Sarah Hadland's life away from cameras: from famous friends to London home
- Terence Winter Wanted His Scrapped Gotham City PD Series to Feel Like Sidney Lumet’s ‘Prince of the City’
- 5 Years Ago, DC's Biggest Gamble Became A Billion Dollar Box Office Sensation
- Jussie Smollett Reveals His 'Darkest Day' Amid Faked Hate Crime Allegations, Talks Moving On & Appealing Charges
- Ethereal Princess Theodora floats down aisle in bardot wedding dress and glittering tiara
- RHOC’s Gina Kirschenheiter on Why She Didn’t Congratulate Alexis on Engagement, Ryan Boyajian and Jennifer Pedranti Acting “Really Weird” at BravoCon, Plus Talks Reunion, Regrets About Bringing Katie to Show, & Heather
- Magic Johnson, Billie Jean King and Steve Kerr Co-Chair ‘Athletes for Harris’ Campaign
- Princess Theodora of Greece marries Matthew Kumar in beautiful ceremony
- ‘Confessions On The 7:45’ TV Series: Everything To Know So Far About Netflix And Jessica Alba’s Adaptation Of A Lisa Unger Thriller
Latest IndieWire
- Terence Winter Wanted His Scrapped Gotham City PD Series to Feel Like Sidney Lumet’s ‘Prince of the City’
- ‘Apartment 7A’ Enhances Its Terror with the Glamour and Horror of Broadway
- If Maggie Smith Had Made Her Last Movie Before 1980, She Still Would’ve Had a Dynamic Career
- Cinematographer Mihai Malaimare Jr. Comes Full Circle with ‘Megalopolis’
- Can’t Wait for More ‘Terrifier’? Sean Byrne’s ‘The Loved Ones’ Belongs on Your Dance Card
- ‘The Wild Robot’ Turned Its Animators Into Painters
- ‘Prime Cut’ on 4K Reminds Why Michael Ritchie Was One of His Era’s Great Directors
- Kate Winslet on ‘Lee,’ Nudity Onscreen, and Recreating a Famous Photo Taken in Hitler’s Bathtub
- Austin Abrams on ‘Wolfs’ Scene-Stealing, What’s Up with ‘Euphoria’ Season 3, and Loving ‘Eyes Wide Shut’
- How ‘Nickel Boys’ Producers Forged a New Visual Aesthetic for RaMell Ross’ Colson Whitehead Adaptation